From a distance, the lynching memorial, designed by Michael Murphy and a team from the Design Group, of Boston, will look like a long, low colonnade. Once visitors enter the structure and follow the path downhill, they will see that the columns are hanging in the air, as if from trees. Each column is six feet tall. The current plans call for the soil collected by volunteers to be used in coloring their exteriors. There will be eight hundred and one columns, one for each county and state in which a lynching took place. The names of the victims and the dates of the lynchings will be inscribed on the columns.
The memorial also has a more provocative component. Adjacent to the colonnade will be another eight hundred and one columns, exact duplicates. Each county in which a lynching took place will be invited to remove its memorial column and display it in its own community. The columns that remain in Montgomery will stand in mute rebuke to the places that refuse to acknowledge their history of lynching. “For us, it’s the kind of activism that has clarity, purpose, and a goal,” Stevenson told me. “Sometimes the goals aren’t very clear or very well articulated, and you don’t know whether you’re getting closer or not. This will give us a way of measuring that. We’ll know the places that are resisting, and it should build pressure on those communities, and the people in those communities, that are either not doing enough or need to do more.”